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February 15, 2011

First overidon post via iPhone

Filed under: Overidon News — Tyler @ 12:05 pm

This is our first overidon.com post via iPhone 4. I am extremely impressed and excited about the easy functionality of wordpress with the touch based interface.

I did not think this was even going to be a possibility when I got the phone. I thought that the wordpress engine would be too demanding for safari on 3G non wi-fi. But this is a very accessible interface and I am having zero lag.

The book store sold me an old hardcover book on quantitative analysis from the 1960’s for $1.50 so I’m happy about that. I also splurged and got a book on ethics softcover for the same price.

Being able to write on the go is going to be a huge asset so I need to give my parents a big thank you and smooches for getting the whole family these gadgets.

Zooming in and out is super easy and interacting with all the functions of the blog is intuitive. I look forward to checking out the meta tagging process.

-Tyler

Speaking of things that rule

Filed under: Music-Reviews — Tyler @ 12:28 am
It's a good day to die

It's a good day to die (extended mix)

Courage…Duty…Honor!

I’m listening to this till my ears bleed. I haven’t seen the 3rd movie but I hope it is better than the 2nd one.

February 14, 2011

Hitting Creative Goals and Small Victories

Filed under: Tyler's Mind — Tyler @ 11:33 pm
spaceship

Big Goals

The creative world is similar to International Relations. There are limited resources in International Relations, either resources of energy, wealth, or human beings. In the creative world, there is a finite number of potential paying publishers, agents, or patrons. The International System is generally viewed as not having any central controlling arm, overseeing the entire operation. It is a self-help system. Making progress in Creativity is similar in that regard. All though one may find alliances with groups of friends, peers, or colleagues, generally, one’s success is directly dependent on one’s own effort and guile. And in both situations confidence is key for success in these systems. Anyone can have confidence, and there is no shortage of paper tigers in the world or in the creative environment of either writing or music. But there is something to actually be said about the confidence of Americans after the Revolutionary War. That confidence to engage in Manifest Destiny was based on an actual victory against a powerful adversary. And likewise, as creative people, we need small victories in order to build confidence that is based on real life results in our respective fields.

If one is waiting to get published and get a massively lucrative book deal in order to be confident then there is a serious problem. We need to be confident first, and then let that voice become self evident through the work itself. And this is only accomplished by having a creative goal in one’s mind before creating something, and then hitting that goal when the creative work is shared.

When writing stories or music there is one thing that is constant: The need for a good hook.

We need to make the reader or listener want to complete the journey, and not put it down. And the only way to do that, is to literally fight for every second and sentence…especially in the beginning.

But what if the story or song doesn’t get good until 10 pages or seconds? Or what if we’ve been grinding on the same intro for weeks and things just aren’t flowing right. Frustration is setting in like frozen molasses and we’re stuck.

This is the perfect time to give yourself some self-inflicted homework and sharpen the tools and achieve a small victory. Everyone wants to write the next epic or musical masterpiece. But sometimes honing in on a specific musical style that is targeted for a niche audience, and then pitching that very song to a member of that demographic can yield the exact type of feedback that one needs.

If you can’t write a birthday card that makes the reader feel good then you are missing something.

One thing to consider is the artistic/commercial conundrum. A lot of people get stuck on this. Here’s the concept: I’m an artist. So I create what I want. I don’t care what other people think. If I sold my work or got recognition in professional circles, I would be selling out or be going, “main stream.”

Have you heard this anywhere before? This type of attitude is extremely limiting and doesn’t really work in today’s highly competitive environment. There are simply too many hobbyists who are willing to distribute their work for free. This over-saturation of almost every creative market requires a creative person to truly polish his or her work in order to have it stand out.

So let’s get some small victories under our belts. There are two types of small victories in the creative field. There are first the obvious victories where we get a story published, even in a small zine or school journal. This goes for music also, where we can get a lot of listens and feedback on a track, or maybe even sell a single here or there.

Then there are the less obvious but nevertheless important victories of self. Where we write something that is so polished that after we write it, it feels good. After reading it, one may think, “I get this.” Or maybe the intent is to disturb or invigorate, the key is creating something and feeling like we are improving in our skills rather than spinning wheels or backsliding.

Musically this can be achieved by creating something and then listening to it for pleasure. Hey, that’s legit. If you like what you’re cooking that’s the first step in putting it on someone else’s plate.

After numerous smaller victories. A vote of confidence from a friend here. Someone ASKING to read your writing there. A friend BEGGING to hear something new from over there. These victories, if based on honest feedback should reinforce your already secure outlook on your own skills. And the end result is confidence for tackling even bigger goals.

A bigger could could be writing a piece that is slightly longer. Or developing a short piece that has both a tight hook as well as a compelling theme or moral message. Musically you can work on a piece that has structure of number of layers that may have seemed daunting before. Or perhaps the opposite happens and you decide to say more melodically and rhythmically by using less instruments and a more minimalistic approach, yet at the same time conveying a greater emotional connection with the listener.

Just like last time, see if these goals are hit and if so, chalk them up as a victory to add to your hat. Eventually you will become prolific and creation will become second nature. And larger goals of high quality finished products will no longer seem lofty to yourself, or your peers.

As the United States stands in an uncertain world, maybe applying some of these concepts might have some value. There are big problems that are receiving big rhetoric and attention. But there definitely are certain issues that are not so big. And if these topics either dealing with efficiency, productivity, or solidarity were tackled on a more piecemeal and humble level, perhaps we would see greater confidence and ingenuity when approaching larger media-attention-getting issues.

-Tyler

February 13, 2011

80 Proof that you will have a good time

Filed under: Music-Reviews — Tyler @ 10:20 pm
80 Proof

80 Proof live at the Slidebar

80 Proof put on an excellent 40 minute show at the Slidebar on Thursday, February 10th. The music was good and the showmanship was top notch. Especially their percussionist/keyboard player Alex Williamson did a great job keeping the energy pumping for the entire set. The type of music is some reggae with some ska mixed in there. This band is a large one, there are 6 people in there. So they put on a serious show. The Slidebar had a great soundsystem and I was able to hear all the different instruments and the two vocalists on almost every song. The musical style is a familiar one. So if you like the band, “Sublime” then you will probably really enjoy 80 Proof. And even though the music isn’t mind-blowingly unique sounding, they play the songs well and sound great. Many of their songs are related to drinking so it is definitely a party band.

I noticed at the club there were both guys and girls dancing and having a good time. And there wasn’t a mosh pit which was a nice break. I even saw two girls that looked really good dance to the music with skill. So that is something to think about.

One of the cool things about 80 Proof is that they have a drummer and a percussionist/keyboardist. So their sound is very full and punchy. Finding the beat is very clear and you just need to either listen or look at the band to figure out how to groove with them. So this would be a winner choice of a band to go to on a date, if you either were a good dancer or didn’t know how to dance. Because you can just rock around to the music and the tempo is very manageable.

Another great thing about the band is that they had a casual and genuine demeanor onstage. This was a key point for me, because I thought that the style of music they played usually came with a thick ego. So seeing the vocalists and guitarists rock out and interact with the audience on a legit level made me stoked that I came to the show.

It looked like the club was pretty full for 80 Proof. I’d say the crowd filled the place to about 80% of capacity. That was impressive for a Thursday night.

Did I mention that I was glad there wasn’t a mosh pit?

Another good thing to bring up, is that even though there was a lot of people there drinking and everything…everyone seemed cool with each other and there wasn’t any fighting. It had a comfortable vibe, despite the fact that there was such a mix of people in their 20’s and early 30’s there. (early 30’s being me)

-Tyler

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